
Thereās a pattern that comes from trauma where people move through life without ever truly committing to anything long-term ā relationships, careers, communities, even the places they live often feel provisional, like brief stops rather than permanent territory. Many of us who endured neglect or abuse as children end up living this way and mistakenly believe itās a personal shortcoming ā some sort of failure to ādecorateā our lives properly. From conversations with thousands who grew up with trauma, I can tell you this response is widespread. Todayās letter comes from a woman Iāll call Marty. She writes: my problem is that I have never been able to make my living space feel like mine. My apartment has never looked pleasing to me. Okay ā Iāll put a little marker beside things I want to revisit on a second pass ā but for now hereās what Marty describes: Iām moving because my lease is ending, and when I look around the apartment I canāt see any change from how it looked the day I rented it two years ago; it was furnished when I moved in. It feels like I never actually lived here, and noticing that is painful. I know some of this traces back to childhood: we were poor, my father drank and was violent, my mother struggled with mental illness, and some nights we didnāt know whether weād have dinner ā it was unpredictable. My early years were chaotic, the house was messy, and we had few visitors. At six I went to live with relatives and experienced another kind of abuse I wonāt detail now, but I never felt like that place was a home ā more like I was merely crashing there. I didnāt even always have my own bed or room. When I was around eight I drew on a wall with crayon; my aunt reprimanded me. I scrubbed and couldnāt remove it, and for years every time I passed that wall I felt ashamed and embarrassed. Iām now 38, single, without children, and Iāve lived in many rentals, but Iāve never truly personalized any of them. I used to say I couldnāt afford to decorate, but now I have the money, so that excuse has run out. Iām making small strides in my healing and really want a home that feels like a sanctuary. But I also resent myself a little for always choosing the cheapest, ugliest apartments instead of nicer places I could afford. Thatās Marty. Her letter stuck with me when I first read it, and I found myself wondering whether anyone else would understand. Since then Iāve met many people with the same experience, and my attention has shifted toward my own struggles with this feeling of impermanence. I deeply relate to that sense that everything must remain temporary. Hearing your childhood story ā the messy house, the lack of visitors ā itās clear the home was only ever a roof over your head, not a safe place where you felt cherished or valued. Then living with relatives brought other harms, and that reinforced the idea that you were always just staying somewhere, not belonging. I relate to your wall story too. As a kid, I once took a crayon and drew on the outside brick wall of my elementary school. I never got caught; another child was blamed because I had a reputation for being āa good kid,ā and no one expected me to do something like that. I didnāt even understand my motive then. Years later, looking at that wall still made me feel ashamed, and I eventually confessed ā even to some classmates and the child who had been blamed. When we reconnected as adults on Facebook he didnāt remember the incident, but I felt terrible and admitted what Iād done. That memory made me feel a kinship with your shame. Iāve often struggled to understand this tendency myself, so first I want to say: thereās no rule that you must fill your space with traditionally āfeminineā decoration. Iāve felt pressure at times to perform as a woman who decorates, and while I enjoy decorating in certain situations, much of my energy is devoted to making and doing. Right now Iām filming in a studio thatās functional but not pretty ā artwork leaning on the floor, a crooked rug, cables strewn about. The room is where I get work done; aesthetics arenāt its primary job. Iāve been criticized before (not here) by housemates who labeled my messy, task-oriented approach as lacking āfemale energy.ā But thatās really about having the energy to live, work, and survive what weāve been through. And where you are now is fine. If you truly want a warm, beautiful home, that can absolutely be an enjoyable project, and there are practical ways to ease into it. This applies to clothes too: I hate shopping and often default to the cheapest, most utilitarian option. Iām working on that. What helps me is scheduling shopping trips ā sometimes alone, sometimes with a friend, depending on what feels better. I suspect you have friends who would love to help you choose pieces for your space if that sounds appealing. If decision-making brings up shame and anxiety ā fears of choosing wrong, drilling a hole in the wall, or making a mess ā then having someone with you during the process can be calming. One useful trick has been hiring a handyman: someone whoās paid to hold tools, suggest placement, and hang things. A paid helper often keeps the interaction calmer than trying to work through these choices with a partner, because partnership dynamics can carry extra emotional charge. Even if you have someone who could help for free, sometimes the professional boundary makes it less fraught and easier for you to stay composed. Another important point: the deeper sense that āeverything is temporaryā often canāt be fully solved by acquiring objects. From my experience, that feeling comes from inside ā itās an anxiety that slowly eases as you develop consistency in your life: committing to projects, organizing your work, staying in relationships, and building routines. For me, having a long-term partner and a more ordered business life has helped. Weāve been together sixteen years and married for almost eleven, but coming together like that was a process. For many years I resisted buying furniture because I expected sudden financial disaster or relationship collapse; after so many upheavals in my past, I found it hard to trust permanence. What impresses me about your situation is that youāre now in a place where you can afford to make changes. When something triggers PTSD-like reactions ā when it sets off dysregulation ā itās understandable to avoid it. The strategy is to take tiny steps: treat it like a series of small experiments. Buy a single chair and put it where you think it might belong; it doesnāt have to be perfect. If youāre aiming for higher quality, choose pieces that can be returned. I canāt overstate how useful returnable items are. Iām not great at picturing how objects will look in a room until I see them in place, so I tend to shop where returns are simple. Yes, moving furniture into your home costs effort and money, and decorating choices can feel bewildering ā āwhat do you even put on the walls?ā ā and photos often look too small or awkward. Thatās okay. Start with what you can imagine and allow the rest to evolve. Iāll share a recent win: I splurged on heavy velvet curtains ā $500 ā to darken and insulate a room where I film. Normally I wouldnāt have spent that much on drapes, but they were on sale and theyāre a gorgeous teal. They arrived after months of waiting (I ordered them from Anthropologie), I hung them, and theyāve brought me a surprising amount of joy ever since. Even if I donāt live here forever, theyāre lovely enough to belong in a dining room or another space later. I also use a high-quality adjustable desk that supports my work ā these practical, well-made items make a difference. Little wins like that matter. So to summarize practical steps: take small, manageable purchases; favor items with easy return policies; consider bringing a calm, paid helper to handle the physical tasks and decisions; shop in ways that reduce pressure (alone or with supportive friends); and be gentle with yourself about how quickly the inner sense of permanence will shift. The environment helps, but the deeper change comes from steadying your inner life by staying, working, and forging stable relationships. Over time those internal changes let you enjoy making a space that truly feels like yours.

See this lever? It belongs to an adjustable table I can move around and tilt however I need. For the last five or six years Iāve been making my living as Crappy Childhood Fairy, and in the beginning Iād just set my papers and pencils on a chair with a cardboard box on top. Eventually I invested in this table ā it cost me a couple hundred dollars at least (actually about $120 back in 2017) ā and itās well made enough to last the rest of my life. Iām sharing it as a small example of whatās worked for me as Iāve upgraded a few things. That backdrop people always ask about is an out-of-focus stock photo printed on fabric that I had made when I first started Crappy Childhood Fairy; itās the same piece I use in every video and I weigh the bottom with big clips. Growing up poor made me frugal, and you might be too ā thatās not a bad thing. I wish you luck. I wanted to pass along a bit of my experience about allowing yourself a few nicer things and starting small: personally Iām about twenty percent of the way toward decorating my home the way Iād like, and Iām in no rush ā I want to enjoy the process of shopping, and hope you do, too. One item I wanted to share is my list of signs of healing. A common sign that healing hasnāt yet happened is underspending ā even if we splurge in certain areas, many of us still underinvest in how our living spaces look and feel, which is a typical trauma response. A quick test: check your underwear drawer ā if everything in there is awful and youād be mortified for anyone to see it, that can be a clue youāre underspending. My signs-of-healing download is deep and substantial ā a long, multi-page document and one of my favorite things Iāve created ā and I offer it free. You can click right there to get your copy. See you very soon.





